Shraevyn's Tomb

Shraevyn's Tomb was the final resting place for the famous wizard and weapon-crafter Shraevyn.

It was located at the eastern base of the Desertsmouth Mountains in Shadowdale.

Entrance
The entrance to the tomb was carved into the rock of the Desertsmouths. Granite steps led to large metal door that was embossed with magic runes, which were embedded in the mountainside. Both sides of the door were flanked with 20-foot stone statues. The left statue appeared as a an elven female, dressed in flowing robes, having been partially destroyed by avalanches and rock slides. The figure on the right was depicted as a helmed warrior in plate mail, its right arm raised holding a massive lucern hammer. The elven statue represented the beauty of and respect for a wizard Shraevyn met in his travels to the Astral Plane; she showed him a great deal about magic, that otherwise would have taken him years to learn alone. There was a hidden entrance behind this statue, rigged with a fire trap, that led into the tomb. The warrior statue paid homage to the brave and noble knights and fighters for which he had made weapons over the years.

In the passageway through the trapped secret entrance read a brass plaque: "Hope you enjoyed the show!". When the main entrance was opened, the runes of the door glowed with blue fire and the voice of Shraevyn would pose a riddle to those inside:

"Friends to the end! they once exclaimed, Boasting of evil hey once tamed. Now they gaze in hate, friend now foe, But hearts defy what minds now know. Magic against steel, Fate of a cruel deal, A mirrored haze of friendships concealed.

Warrior's heart and wizard's soul, Both fighting for the same goal. Magic against steel, Fate of a cruel deal, A mirrored view of the end of the road.

The sheath called for its sword, Wizardly energy withdrew to where it was stored. Together they gazed at the mighty door, And their fury for one another burned no more. Now honor-bound and steadfast, An oath sword to last. The bond of friendship reborn"

- Voice of Shraevyn

Visitors of the vault were expected to respond with the ideal that the warrior and wizard remembered to stop from attacking one another. The satisfactory answer was a response that conveyed the unity of an adventuring party. Failure to express this concept caused the voice to express it's disappointment and no longer speak to anyone inside the tomb.

Warrior Hall
A 60-foot long, 10-foot tall, magically illuminated hallway led to the main chamber of the tomb. This light came from glowing red orbs that were suspended in air above head-height. Either side of this corridor had a mosaic tile mural; each depicting a mounted king, wielding the sword Giventhar, commanding his army in battle against foes made of shadows. The difference between the two was one murals was dark and murky, nearly colorless, with the only bright spots being the emerald green glow of Giventhar, while the other was lighter, almost iridescent with the figure of the king appearing vivacious.

In the side of the hall was a small chamber, hidden behind a secret door and trapped with sleep gas and contained spider skeletons. In this room was an oak desk with intricate vine-shaped carving; in one of the drawers was a scroll tube made of bone that contained scrolls of animal friendship, magical stone and heat metal. Along the walls were several bookcases that contained a wide variety of tomes and manuals along with a few select, rare titles - The Art of Weaponcrafting and Metal Spellweaving.

Main Chamber
The central room in the tomb was a large, square room room with a a 30-foot-diameter circle of silver inlaid in the stone floor, with the symbol of the sun centered within. Eight rays from the sun extended out into eight small depressions in the floor. The door leading into the next area was made of silver as well, and had a message melted into its face during construction: "Some decisions are more lasting than others". Ten alcoves lined the left and right sides of the room, five on either side, nine of which contained a three-foot-tall golden pot and one which held a book.

The book and nine vessels each represented one of the eight schools of magic and had to be placed over the depression on the ground, opposite its naturally opposing school; two extra pots were added to confuse the magically ignorant and most of the items held a magical effect of some kind. Once all the items were placed in their correct order the silver door would open into the rest of the tomb. The magical effects were:


 * Illusion: When someone attempted to move this jar, it would seem to disappear. It remained in the same place, but couldn't be seen as if it had invisibility cast upon it
 * Wild: When handled, this jar would open and let loose a blast of golden energy that would fly around the room, strike all the other pots then return inside. Then one of three effects took place. Either a small dark cloud would form over the person who touched the pot and rain down upon them, a stunning bouquet of flowers would begin to grow out of someone's shoes or a chime of opening spell would be cast, unfastening and untying all the belongings of anyone nearby. This was one the unneeded jars
 * Divination: The lid of this jar would shimmer and show the a view of the area outside of Shraevyn's tomb. This was not a current image as if from a scrying spell but more of a "live painting"
 * Enchantment: The surface of the golden jar would display a projection of the Sword of the Dales in its present condition
 * Elemental: The lid to this container was missing, it was about a third full of dark, damp soil. Deep in this dirt was a small, magical fire that burned without fuel or aid. This was the second extraneous jar
 * Conjuration: In place of a jar, an ancient tome sat in one alcove, entitled "Shraevyn's Guide to Magical Mastery". If the book was opened, it would always open to the same two pages, on which had been placed a sepia snake sigil. Once someone began to read from the book, the sigil would activate, the reader would be immobilized and the book would transform in into a matching golden pot to be used in the room's puzzle
 * Necromancy: This jar had no magical effect, but rather an eerily realistic carving of a humanoid skeleton wearing a cracked helm and wielding a rusty sword
 * Alteration: When lifted, this jar would change into a lopsided, earth-colored clay pot that was much heavier than its original form. After a few moments it would transform again into a sleek, silver that was lighter than its first form. Finally it returned to its original appearance.
 * Abjuration: The front of this jar had the picture of a shield with an emblem of fire inside it. When examined the shield would glow and the fire would appear to blaze
 * Invocation: Blue-white electricity raced up the outside of this jar and it would momentarily shock anyone who touched its surface, leaving their fingers numb but undamaged.

If the eight jars were placed in their correct positions on the painting of the sun on the floor, the silver door to the next section of the tomb would open. If any of them were in the wrong order when the eighth jar was put in place a dust devil, fire snake and sandling would appear in the middle of the room and attack anyone inside.

Rear Hallway
The area beyond the silver door was a T-intersection, that shone with a bright, silver light. In the middle of the intersection was an alcove, a shrine holding a marble statue. This was a depiction of Tymora, as a young, gleeful woman clad in leather armor and carrying a pair of short swords. Around her neck was hung an amulet, a silver chain with a metal disc that depicted her holy symbol. It carried an inscription on the reverse:

"Turn right or left, front or back, There's no saving you from your own stare. Whether gold be piled by bar or by sack, There's seldom enough change to spare"

The pathway to the right led to a sort of treasure room, filled with several empty chests and coffers. To the right of the entrance, in the side of this small room was a portal to the Ethereal plane, embedded in an archway of stone that was far older than the rock of the mountain in which this tomb was built. As of 1369 DR this portal had been traveled through and since disappeared. This room also contained a silver plaque, into which were embedded the words: