Church of Eilistraee

The Church of Eilistraee was an organization composed of the followers of the goddess Eilistraee, the Dark Maiden.

Dogma and Beliefs
"Protect and aid all folk in need, weak, strong, grateful, and churlish alike, promoting harmony, peace and acceptance among all races. Be always kind, save in battle with evil. Repay rudeness with kindness and help others in acts of kindness whenever there are ways to do so. Repay violence with swift violence, that the fewest may be hurt and danger fast removed from the land. In particular, whenever and wherever possible, faithful of Eilistraee should encourage drow to return to the surface world and work to promote harmony between drow and surface-dwelling races in order to establish the drow as rightful, nonevil inhabitants of Faerun. The faithful must aid drow who are in distress. If the distressed are fighting with other drow, the combat is to be stopped with as little bloodshed as possible. So long as the drow met with are not working evil on others, they are to be aided and given the message of Eilistraee:

The Message of Eilistraee:"A rightful place awaits you in the Realms Above, in the Land of the Great Light. Come in peace, and live beneath the sun again, where trees and flowers grow."

Strangers are your friends. Any hungry travelers met with, who offer no threats, are to be fed -- the faithful are to carry food at all times for this purpose, and to set it aside and give it as often as possible to strangers in need (particularly outcasts and those of other races). If food yet remains, it is to be given to the priests of the Dark Maiden, that they may do the same, and none shall go hungry. The homeless must be given shelter from storms, under your own roof if need be. In harsh winters, patrol the lands about to find and take in the lost, the hurt, and those caught in the teeth of cold. Try to convert at least one stranger per moon to the worship of Eilistraee.

Encourage happiness and gaiety everywhere; lift hearts with kind words and acts, jests, songs, and merriment. Nurture beauty, music, and dance. Learn and practice new songs and dances and how to play, make, and repair musical instruments, to gift joy to friends and strangers alike and to pass this learning on whenever possible. Assist hunters and hunting, learn new recipes and spices to cook and how best to hunt for game. Practice swordwork and learn new ways with the blade. Whenever possible, food should be eaten with the accompaniment of song and merriment; except for properly sad occasions. When faithful and allies fall in battle, any priestess present must, if possible, provide burial, a funeral song, and comfort to the bereaved.

Wealth is to be used to buy food, musical instruments, good swords and armor, and other tools to serve the will of the goddess. When on the road and while adventuring, feed, aid, and defend the needy along the way with a prayer to the goddess. Lend assistance to those who fight for good, asking as price no more than an object that can be used to the benefit of the goddess’ works.

When priests of the goddess must fight evil, they are to burn the bodies of the evil creatures they slay as an offering to the goddess-unless such creatures are edible and nonsentient, and there are hungry folk near."

Followers of Eilistraee were forbidden from taking slaves. Prisoners of war could be made to work in return for food and shelter, but they were not “property” and could not be ordered around by anyone, save for supervisors assigned by the decision-makers among the Dark Dancer’s worshippers (and even such cases were rare, and generally consisted of Lolth-worshipping drow or beings of other races who had “learned too much” and that were detained for a few months, to prevent the specialized knowledge they had gained from being brought to enemies of the Eilistraeens).

Organization and Composition
The Church of Eilistraee mostly consisted of those rare drow who yearned for a return to life on the surface Realms, at peace with other races, and to abandon the endless conflicts and intrigues that dominated the lives of most drow. However, followers of Eilistraee included beings from many races: Tel-quessir (and also the human half-breeds of Tel-quessir), humans, gnomes, half orcs and even shapeshifters. They shared the desire of seeing all races living in harmony, without pointless discrimination or wars, and worked towards that goal (and those among them who were drow also fought to build their own place in the surface world).

Most Eilistraeen/Eilistraee-dominated (as generally Torilian people tend to worship more than one deity) communities formed around a temple or shrine of the goddess and for this reason tended to be led by priestesses (even if they were willing to list to the concerns and ideas of any memeber before making their decision). Outside of the Clergy, male and female worshippers tended to have the same duties and roles: guardians, warriors, experts, artisans/artists, gathering food and other general works. Males were primarily involved in the decision-making through their expertise in given fields, but they rarely were priests (and therefore leaders; see below). Differently from Lolthite societies, males were however generally treated with fairness and equality (even if at times, some priestesses or even whole communities could have a different stance, likely because centuries of dogma and tradition due to Lolth's doctrine were hard to overcome)

The clergy of Eilistraee were known under the general collective titles of Dark Ladies, although that could change from a community to another. Acolytes and aspirants to the clergy who wished to join a temple or who had not yet attained full priesthood were known as Maids. Many priestesses chose individual, specific titles which reflected their person during an Evensong (or Flamesong in the Promenade, see below), like Moon Dancer, Moon Singer, Dark Huntress, Argent Maid, Living Sword, Unsheathed Blade, Sword Smith, Bright Edge of Darkness, and Ghost of the Moonstruck Night.

The clergy of Eilistraee was different from most other religious organizations in that there wasn't any hierarchy or chain of command, as everyone stood on the same ground (even if most followers recognized Qilué Veladorn of The Seven Sisters as their guide and voice of Eilistraee).

Clerics of Eilistraee could be individuals of any race --including shapeshifters-- but they were almost always female, because, due to the goddess' nature of nurturing mother, One could not truly feel the Divine Dance of Eilistraee PROPERLY except as a female. However, during the 1300s, the faith of Eilistraee started to open up to male priests (this was Eilistraee's choice and by 1373 DR all her clerics were aware of it), despite the initial dislike of some female worshiper (even if those gender issues could easily be overemphasized, because -as said above- on the whole, all clergy of the Dark Maiden welcomed an increase in worshippers of the Goddess, and the fellowship of more and more followers of the Dark Dancer, no matter what gender ). However, in order to truly feel the Divine Dance of Eilistraee, males had to Dance the Changedance at least once, spending time as females (including everyday life, and not only rituals). With time, male priests felt the need to spend more and more time as female, because through that they could feel and cleave more fully to the nature of the Dark Maiden.

Notable followers of Eilistraee

 * Liriel Baenre. Although she ultimately became a cleric of Mystra (Midnight), for a while she also danced for Eilistraee. After the events in Windwalker, she felt that she had no place among the followers of Eilistraee, because of all the deaths that she had indirectly caused, even if she could still feel the Dark Maiden's song and magic calling to her, meaning that the goddess would have still welcomed her.
 * Cavatina Xarann, Darksong Knight.
 * Qilue Veladorn, Chosen of Eilistraee (and of Mystra).
 * Ysolde Veladorn, daughter of Qilue ; killed in 1361 DR.
 * Elkantar Iluim, Right Hand of the Lady, Commander of the Protectors of Song, male drow fighter, consort to Qilue Veladorn, killed by Gorlist in 1361 DR.
 * Iljrene Ahruyn, Hand of the Protectors, Sub-Commander of the Protectors of Song, female drow fighter/priestess.
 * Arrikett Uruth, Hand of the Protectors, Sub-Commander of the Protectors of Song, male halfling fighter.
 * Thorn, lythari champion of Eilistraee.
 * Seyll Auzkovyn, converted priestess (formerly of Lolth) in Cormanthor ; killed in 1372 DR by Halisstra Melarn.
 * Halisstra Melarn, briefly a priestess of Eilistraee and wielder of the Crescent Blade before returning to the worship of Lolth before her death.
 * Mathira Melarn, Sword Dancer from Ched Nasad.
 * Nuriel Limbya, half-drow Crinti priestess leading Eilistraeens in Cathyr.
 * Rebekkah Darklyte, drow priestess and founder of The Dark Dancer shrine in Ravens Bluff.
 * Aeril Faenrya, Dark Maiden of Eilistraee

Activities
The Church of Eilistraee worked by putting their goddess' teachings in practice. Their main duty was to encourage the drow to return to the surface world, reaching to them whether they were fugitives, raiders or inhabitants of the Underdark. They showed to the drow that a different kind of life, far from Lolth, was possible, and assisted them in making this choice by giving them aid, food, acceptance and safe places to live. Eilistraeeans performed missions underground, looking for those dark elves who were in need of their help and that could be brought on the surface (mostly slaves, commoners, fallen and hunted nobles or drow who were generally unsatisfied with the life that Lolth imposed them) and offering them a new life and bringing them the Message of Eilistraee. Many Eilistraeens carried tiny swords to give out to drow in the Underdark that served as keys for safe passage to temples.

As the Dark Maiden's teachings required, the clerics of Eilistraee actively worked to promote harmony between drow and other races, so that their people could be accepted and live in peace in their rightful place on the surface. This also involved the activities described in the Teachings section, like lending their own sword, helping hands, cures and food to assist people/settlements of any race in need, both to gain their acceptance (dispelling fears and prejudices about Eilistraee's goal) and because the priestesses of the Dark Maiden believed that it was the right thing to do.

The Church of the Dark Dancer also acted through envoys, diplomats and emissaries in other races' settlements. An example was Karsel'lyn Lylyl-Lytherraias, former agent of Queen Amlaruil Moonflower and ambassador of the Eilistraeen Dark Elves on the elven island of Evermeet, who was trying to gain her people a place in the land that is supposed to be a safe haven for all elven people.

The faithful also had routine activities of food growing and gathering/hunting, preparation of cures and all that was needed to aid the drow to return to the surface, to aid and shelter travelers or any individual (who didn't represent a threat). They also gathered resources, weapons and armors (preferably magical) to use for their cause. Patrols in the areas near Eilistraeen communities were common (especially during cold winters) and had the purpose of finding any traveler (including fugitive drow or even wounded drow raiders) hurt, lost or hungry and to spot (and possibly neutralize) potential threats for the community and other settlements in the area.

Beside their work towards the main goal of their goddess, the priestesses of the Dark Maiden were known to nurture beauty, music and song; to assist hunters; to helpe people of any race through acts of kindness and to spread joy and merriment (often through song and dance) whenever they saw ways to do so (and it was appropriate). They had also to be skilled in the art of playing of at least one of the Dark Maiden's favored instruments (horn, flute, or harp); be adequate singers; be fit, graceful dancers and tended to be willing to pass along and teach their skill. They gathered songs and musical knowledge constantly and acquired training in the use of the sword when they could. Clerics were allowed to go adventuring, as long as they kept following Eilistraee's teachings, aiding, feeding and defending the needy on the way.

History and Relationships
The Church of Eilistraee was little known and poorly understood by inhabitants of the surface world. Her worshippers were figures of myth in both the Underdark and the Realms above. They were the subject of superstitions and prejudice (such as the belief -held by surface dwellers- of them being the disguised vanguard of the Spider Goddess's plan to take over the surface, and that -held by those drow who follow the Way of Lolth (or other evil gods)- of them being surface elf invaders and spies masquerading as drow.

Rare was the individual -dark elf or not- who appreciated that Eilistraee was forging her own path, one that welcomed beings of all races who revel in life and the free form expression of all that entails.

However, some harpers (especially Laeral Silverhand's and Khelben's)saw a hope for the drow in the church of the Dark Maiden and what it represented and chose to lend a helping hand to their battles.

Before the elven Crown Wars, Eilistraee's faith was strong in Miyeritar, and she had small numbers of faithful in Ilythiir and the other elven realms of the time. The Dark Disaster, unleashed during the Third Crown War, transformed Miyeritar into the blasted wasteland now known as the High Moor and dealt a devastating blow to the ranks of the Dark Maiden's followers. When the Ilythiiri were transformed into the drow and banished from the sunlit lands at the end of the Fourth Crown War some five hundred years later, Eilistraee's church effectively collapsed and was not reformed for millennia. A few ancient, sacred sites of power built before the Crown Wars survived in the Misty Forest, along the borders of the High Moor, and in the Shar, scattered across the onceverdant savannah. Even when the goddess' church was starting to gain influence, many elves still refused to believe its existence (or Eilistraee's existence), unhappy with what it could represent for some central convinctions about their history (namely, the malevolence of all drow being the cause of the Crown Wars). In the Year of Shadows Fleeting (-331 DR), the drow of the Twisted Tower fell to the armies of Cormanthyr and Rystal Wood was left in the hands of good-aligned dark elf allies. Within a century, the Tower of the Dark Moon was Eilistraee's greatest temple in the Realms. The Dark Maiden's temple fell once again to the drow beneath Cormanthyr in the Year of the Apparition (190 DR) was then known again by its original name, the Twisted Tower of Ashaba. All that remained of the Dark Maiden's legacy was the swirl of Eilistraee's moonfire that envelops any follower of Eilistraee who mentions her name within the once-sacred halls. The church of Eilistraee effectively reformed with the foundation of the Promenade of the Dark Maiden, led by Qilué Veladorn, chosen of Eilistraee and Mystra the most important center of worship of the Dark Dancer.

Its enemies included the church of Lolth, Vhaeraun and Ghaunadaur. Eilistraee's allies included the Seldarine, Selune and Mystra.

During the 1300s DR, especially during the Silence of Lolth the followers of Eilistraee increased their efforts toward helping the drow escaping the Underdark (especially those who were left in unhappy situations by the Silence, and that were looking for an alternative, leading to a great influx of worshipers of the Dark Maiden --even if some of those were simple opportunists--)   and forming relationships with other races, particularly elves. An example was Karsel'lyn Lylyl-Lytherraias interceding for the Eilistraaeen drow in Evermeet (see Activities). Cormanthor was one of the areas that saw a particularly high flux of Eilistraeen activity, due to the significant presence of surface drow.

After the 1375 DR, when Eilistraee became the Masked Lady, taking Vhaeraun's portfolio, the followers of the Dark Maiden and the Masked Lord started working together in their efforts against Lolth. However it remained unknown whether this collaboration continued after the Masked Lady was supposedly slain in 1379 DR.

During the 1480s DR, after the Sundering (event), the Masked Lady was no more, but Eilistraee and Vhaeraun were alive and separate entites again. Both the siblings manifested to their followers through their avatars, letting their return be known, and many worshipers enthusiastically spread the voice, however the relationship between the Dark Dancer and Masked Lord and that between their churches remained unknwon.

Rituals
Priestesses of Eilistraee usually prayed for their spell at the rising of the moon.

The faith and worship of Eilistraee was not bound by hard rules, it was free form expression through dance and song and all that was needed to celebrate her was a moonlit glade (or some kind of light, if in places that can't be reached by moonlight). Faithfuls disrobed and started dancing, seeking their goddess' blessing. However there were rituals, even if -as described below- for most of those there wasn't a definite or rigid procedure:

Beside free form dancing and singing, the main form of ritual worship of Eilistraee was a hunt for food followed by a feast and a Circle of Song, in which the worshipers seated and danced by turns in a circle, each one in succession leading a song. If possible, the ritual had to be celebrated in a wooden area and on moon-lit nights. The Evensong was an intimate ritual that all followers of Eilistraee performed at the end of their day. It was a wordless message to their goddess (usually involving a personal dance and song) in which they let out all the emotions, experiences and reflections that they had gathered in the day, so that Eilistraee could listen to them. In the Promenade of Eilistraee this ritual took the particular form of the Flamesong, the most important personal prayer for the Dark Ladies and Maids (priestesses and novices, respectively), in which they danced around a flame or a candle. They would sing freely for their goddess and dance following the rythm of the music as it came, until the flame was existinguished. Priestesses usually tried to find an alcove or passage where they could be alone to make a Flame Song. While they did, the Promenade was filled with the eerily beautiful echoes of half a dozen or more of these solos at once, drifting down the passages. The Hunt consisted of tracking down and slaying/driving away a monster which represented a threat to the people living in the area. It was held whenever Eilistraee warned her followers of the presence of a peril/dangerous creature in the area (through the sound of her horn), in order to prevent it from hurting travelers or the inhabitants of nearby settlements. Hearing the Dark Maiden's hunting horn could also simply mean that someone nearby was in need of help.
 * Circle of Song
 * Evensong/Flamesong
 * The Hunt/High Hunt

Te High Hunt was a night time ritual led by clerics of Eilistraee, in which the faithful hunted a monster or animal as a offering to the goddess. The tradition alloeds the use of any kind of bladed weapon and armor, but the priestesses were required to wear as little as possible. It was usually held once per season and ended with a circle dance for the goddess if the quarry is slain (and a feast if the quarry was edible).

Those among the clerics of Eilistraee who did not die in battle were blessed by Eilistraee with the ritual of the Last Dance. In old age, Eilistraee's priests heard the goddess singing to them by night, calling them to her. When the song felt right, they wenr out unclad under the moonlit sky and danced, never to be seen again. Those who observed such dances said that the goddess came and singed overhead, and the aged priest began to dance more effortlessly, looking younger and younger. Her hair began to glow with the same radiance as the Dark Maiden's, and then she became slowly translucent, fading away as the dance goes on. In the end, only a silvery radiance was seen and two voices -the goddess and her priest- raised together in a melancholy, tender song.
 * The Last Dance

The Run was a ritual that followers of Eilistraee undertook at least once per year. All those who took part in the ritual used particular boiled leaves and berries to make their hair silvery (which usually led to sarcastic remarks from some drow of other faiths, who enjoyed saying that such a color was to indicate their foolishness, although drow who did not worship Eilistraee could also have silver hair) and those who were not drow used natural colors to paint their bodies black. After this preparation, they went on a travel, wandering on the surface world, trusting to their music, kind ways, and sword skills to keep them from being slain as drow. The goal of the travel was for the followers of the Dark Maiden to go where they were strangers, reaching to elven and other races' communities to bring them food, joy (through music and dance), kindness and help of various kinds, not to preach their faith, but simply out of good heart and to show (together with their day-to-day activities) that drow could be rightful non-evil inhabitants of Faerun. Of course, the faithful were encouraged to use this time to also learn (and/or pass on) new songs, music, recipes and sword techniques.
 * The Oath of the Sword
 * The Run

The Sword Dance was a ritual held when a new sword was forged or acquired by a worshipper of Eilistraee, in order to ask her blessing on the blade. It was performed by planting the weapon in the ground (the point turned down) and dancing, drawing a drop of blood from each of the priestess' limbs, moving momentarily against the blade. If the ritual was successful, the sword would gleam with silvery light, and for three months it wouldn't rust and would be able to hit creatures that could only be wounded by magic.
 * The Sword Dance

This ritual was the Eilistraeen version of a marriage, which happened when two lovers asked a priestess of Eilistraee to celebrate their union (the one below is the version of the ritual in the case when both lovers were worshippers of the Dark Maiden above other deities. In all other cases, the ritual would change and vary).
 * The Love-Binding

Such a request could not be refused for reasons of personal inclination (i.e. the clergy not wanting to), only for reasons of “unworthiness” (see below). By way of preparation, the priestess who would perform the wedding met separately with the individuals to be wed (“supplicants”). Supplicants didn't need both be drow, or of the same race, or of differing genders, but they had to reveal their true natures to the priestess (i.e. the union became invalid, and the priestess would be made aware of this by the power if the goddess, if one or both of the partners was using illusions or shapeshifting to appear to the world around as something other than what they were, or were not wholly who they claimed to be (like a doppleganger impersonating someone). When the priestess was alone with the supplicant, she would cast a spell on them to know when truth was told, then would question them as to their love for their partner, their motives in seeking to be united, their willingness to serve Eilistraee faithfully and “in truth.”

If satisfied with what she had learned, the priestess would then pray with the individual to “call down Eilistraee’s regard” upon them both. She would know if this attention was gained, and the supplicant would usually see her eyes turn bright and her pupilles glow of silver (she goes “moon-eyed”). When this happened, both priestess and supplicant would disrobe, embrace (wrapped arms around each other and pressed their bodies together, almost always face to face; this was NOT a sexual uniting), and dance together, with the priestess “leading” the movements and silently praying to Eilistraee for a sign of blessing (for the binding), or a sign of warning or denial. The Dark Dancer would unerringly spot any treachery the priestess might have missed, but in all other cases she would eagerly and happily bless the union (which, after both supplicants were “danced and found worthy,” could take place immediately, or at any future time).

After this preparation, the Love-Binding would always take place at night, under the moon (i.e. a non-overcast, moonlit night). The most favourable spots were forest glades, where Eilistraee was often worshipped with dance; failing that, a bare hilltop or rocky height would serve; lacking that, any level ground that was not covered by manmade construction (or other creature-built things, altars to Eilistraee being the sole exception) and that was bathed in full moonlight would suffice. Favoured above all others were places where Eilistraee herself had been seen or had manifested.

The ritual could begin whenever the moonlight first touched the chosen spot, and the supplicants were present. If there were well-wishers/an audience/a congregation present (and at least two witnesses were supposed to be there, one a dedicated, active worshipper of Eilistraee and one not), they would stand at the edges of the place of the ritual; if they were sufficient in number, the presiding priestess would ask them to form a ring around the supplicants, as far back as the boundaries of the spot (e.g. standing trees) permitted.

The supplicants would disrobe before entering the spot of the ceremony (if the conditions allowed for that -i.e. safety of the participants, even in cold winter weather-) and would then be dressed in ankle-length overrobes by the priestess, who would be similarly clad (barefoot, robes only). At the beginning of the ceremony, the priestess would also disrobe, work a minor spell that caused moonglow to manifest around her (and the altar, if there is one), then call on Eilistraee to “watch this binding, and make it firm” and then upon the witnesses (and the other watching audience members, if any) to “witness this union of love.”

The priestess would then produce a large “loving cup” full of wine (a black, sweet, smoky-tasting vintage consecrated to the goddess and prepared by clergy of Eilistraee) and direct the two supplicants to face each other and drink from it simultaneously. She would then take it from them, bid them kiss, and while they were doing so, remove their robes, touching each of them in the small of the back while doing so and causing moonglow to manifest around them (a glowing white aura).

She would then part them, clasp their hands together, and bid them ask Eilistraee for Her blessing “with all their hearts.” After they had both done so (usually female first, but it’s up to the supplicants; if they couldn’t swiftly decide, the priestess would direct one of them to speak first), the priestess would declare them “bound before the Goddess,” clap her hands, and let the festivities begin.

These festivities varied with the circumstances (for example, a need to be stealthy due to wartime or personal danger, fierce cold or winter weather, etc.). If there were other clergy of Eilistraee (or other deities) present, they would at this time move to form a circle at the edges of the place where the ceremony was held, in a ring facing outwards, weapons drawn, to defend the “Bound” (the wedded couple) and the celebrants during the dancing (this could be a very real service, or merely a ceremonial duty, depending on the where and when of the wedding).

The presiding priestess would then begin a rhythmic chant to the goddess (which would be echoed by any other Eilistraeean clergy present, and often by other worshippers who had already attended such a ceremony before; it was simple, repetitive, and rather haunting) and cast a minor spell that would carry this music on without anyone having to sing (though typically she and other priestesses would keen a harmony “above it” from time to time, as the dancing continued).

Then, the dancing would finally begin, led by the presiding priestess. The Bound had to dance with each other and then with the witnesses, though the form this dancing took could be whatever was comfortable or physically possible for those involved (wild leaps for the young and fit, down to elders with canes merely swaying and murmuring, or an agile dancer gyrating around a not-very-mobile one).

Usually the priestess led the Bound into an initial dance while the celebrants watched, then would stop dancing (letting the couple dance amorously together) while murmuring prayer to Eilistraee for her boon upon the couple. After that, the other partecipants would also begin to dance, with the priestess drawing celebrants to join the Bound.

At times all or some of the celebrants disrobed for the dancing, sometimes the Bound consumed the marriage there and then amid the dancers, and sometimes the ceremony turned into a general orgy, with many or all of the dancers plunging into lovemaking. Food and drink could be served or not, as the participants desired.

The moonglow around the body of the priestess would also be “given” (conferred, more faintly and lasting a shorter time) to all she touched and most priestesses would embrace all celebrants and dance with them.

It was customary for the celebration to go on until the moonglow faded from the body of the priestess or dawn came (whichever happened first); the spell used by most priestesses caused their glow to last for a little over an hour and any conferred glows to die with hers or a little earlier. She would usually end the musical spell at this time, and lead the Bound, the celebrants, and any guardian clergy away to where they would spend the rest of the night (an inn, temple accommodations, private homes, or a single large dwelling). Sometimes, however, the musical magic was left alone, to sound in the spot of the ceremony until it faded entirely, half a day later. On rare occasions, in warm summer weather, slumber could occur on the spot, within the guardian clergy, until morning.

Orders
Specialized clerics were known as Sword Dancers of Eilistraee. They were excellent dancers and had the ability to use the sword in a unique fashion. They could fight in an agile and acrobatic way, almost resembling a dance, but they could also form a bond with their blade, imbuing it with magic, and command it to fight on its own, often protecting the Sword Dancer, or let it sing like a singing sword and rally their hearts. They were also able to use the Spellsong, the ability to invoke a wide variety of magical effects through song and music, and could manifest Eilistraee's Moonfire at will. To become a sword dancer, a drow had to spend at least 1 month on the surface, dancing each moonlit night for Eilistraee, and had to witness dawn at least once. The sword dancers were on the frontline in finding, encouraging, assisting and protecting any drow looking to return to the surface (or that could be made to return) and join a different life. They were also the main emissaries and diplomats in elven or other races' settlements.
 * Sword Dancers of Eilistraee

The Darksong Knights were an elite order of Eilistraeen crusaders, mostly active in the South, beneath the lands of ancient Ilythiir. Composed entirely of crusaders and warrior/priests, each members of this order chose to devote her life not only to the furthering of the Dark Maiden's ethos, but also to the destruction of the Abyss-spawned yochlol, also known as the handmaidens of Lolth.
 * Darksong Knights

The Silverhair Knights were an order of Eilistraeens fully dedicated to the conversion and subsequent protection of drow who had come to the surface of Faerûn. They were most active in regions where drow attempted to establish a foothold on the surface, mostly in Cormanthor. Silverhair knights avoided killing drow if at all possible. They followed very closely Eilistraee's teachings, in that they thought that showing the other drow the strength in compassion, showing them that living in peace, without fearing every single istant for their lives (in short showing them the existence that the Dark Maiden wished for them), they would choose to abandoning the teachings of Lolth and cleave to Eilistraee. The Silverhair knights had a wide array of tools dedicated to this purpose. They were specialized in wielding their swords to incapacitate opponents rather than outright killing them (and were quite efficient with said skill) and had spells capable of incapacitating targets (by various means, for example by letting them feel the weight of the suffering they had inflicted upon other creatures on themselves, or by projecting bolts of moonlight capable of weakening and temporarily draining the strength and energy of their targets). Their voice was also blessed by Eilistraee, it had the power to soothe suspicion, pain, fear and other negative emotions and to enhance enchantment spells. Only when the death of a drow would directly result in saving the life of others was lethal force permitted, and even then, a silverhair knight had to atone for her act. Although most silverhair knights were female drow or half-drow, any worshipper of Eilistraee regardless of race or gender, was welcomed to the order. When Silverhair knights found an encampment of drow, they were expected to observe the group from hiding for some time, learning their ways and personalities from afar, so that they could identify members of the group who might turn from Lolth's ways. Eventually, they were expected to infiltrate the group, identify and approach possible converts, and organize their escape to a safe location. Silverhair knights dwelled in out-of-the-way areas and generally avoided cities or other large metropolitan areas unless they were guiding a drow to some sanctuary within.
 * Silverhair Knights

Ceremonial Garb
Priestesses of Eilistraee generally wore their hair long (as a tribute to the goddess), but they had no specific ceremonial garb; instead, they were supposed to wear as little as possible during their official ceremonies.

Dress and armor
When relaxing, the priestesses preferred silver, diaphanous gowns, but for their work or when they had to fight they still used the most appropriate garb for the situation (like armor, preferably magical, in battle; haprons for cooking and leather garb for hunting).

Holy symbols
The holy symbols of the faith varied, and included a silver sword pendant the size of a hand, a silver bastard sword outlined against a silver moon with silvery filaments, and a nude long-haired female drow dancing with a silver sword in front of a full moon. These were often worn as a pin or hung around the neck by means of a slender silver or mithril chain.

Weapons
In battle, their favored weapon was the sword, but they were allowed to use other instruments (save for whips). The priestesses' favored secondary weapon was the longbow and silver-tipped arrows. Precious relics of the church were the Singing Swords, enchanted blades that sang when unsheated, protecting the wielder from mental effects, like fascination, domination despair and fear, rallying their heart and even enthralling other creatures.

Eilistraeen Spells
The most iconic Eilistraeen spells were the Moonfire and the Spellsong.

Shrines and Temples
Temples of the Dark Maiden were typically established in the mouths of caverns or in woodlands, places that allowed her followers to reach and act on the surface world. It was rare for clergy of Eilistraee to found a temple below the surface, even shrines close to the surface, like the Promenade (see below), were unusual. Eilistraee's places of worship were chosen and developed in a manner similar to those of the surface elves dedicated to the Seldarine. The Dark Maiden's clergy looked for natural sites that needed little modification. Temple complexes typically included a glade in which to dance and from which the view of the moon was unobstructed, a dark place removed from the light of day, a thick tree canopy, a lively fresh water stream, a forge for the crafting of swords, an access tunnel to the Underdark, and a vein of iron or some other metal suitable for the craft. However, the simplest shrine of the Dark Maiden only required a moonlit glade and a song (audible or imagined) capable of leading one into a dance. . Followers of Eilistraee tended to live in harmony with their surroundings, leaving few traces of their passage, with only few exceptions (like the drow of the Promeande of the Dark Maiden)

Below is a list including most known temples and shrine of Eilistraee.


 * The Chondalwood Shrine

Soft glowing blue moss, short grasses, and ferns cloaked this smooth bowl valley and the raised ring of earth that surrounded it. In the center of the dell stood the Ladystone, a finger of rock touched by Eilistraee and sacred to her. The Ladystone's powers guarded the dell and could strike at intruders as commanded by the goddess or her priestesses. The origin of the Ladystone was unknown, but it had been here since before the arrival of elves in the Ardeep. Eilistraee herself manifested here on more than one occasion to dance with her priestesses. Drow who venerated Eilistraee often danced here on moonlit nights, sometimes led by Qilué Veladorn.
 * The Dancing Dell, Ardeep Forest


 * The The Dancing Stone, Elventree

A converted warehouse in the docks district of was dedicated as a shrine to Eilistraee in 1370 DR. Shortly after being rebuilt by the priestess Rebekkah Darklyte and other worshippers of the Dark Maiden, the shrine was attacked by a group of citizens holding strong prejudices against non-humans. The building took little damage, but most food and clothing that was gathered for distribution to the Ravenian poors was destroyed and members of the city guard were injured. The Eilistraeens cured the wounded guards and didn't let the event discourage them in achieving peace between drow and other races, but many citizens remained hostile to the dark elves, including the Clerical Circle, which members vetoed the worship of Eilistraee and even started planning to order the shrine demolished. Some citizens managed to remain open minded and had no problem with the Eilistraeens, others even appreciated or had agreements with the worshippers of Eilistraee (In particular the Yarvandar family. Beneath their mansion there were tunnels leading to regions of the Underdark controlled by followers of the Dark Dancer. The family provided them with wagons to use to carry people and materials to Raven's Bluff, and their mansion gave them the possibility to observe human society --through nightly rooftop, cellar, and sewer skulkings--. The family residence -Vandarmere- even gave the drow room to dance to the goddess under the stars in relaxed safety. In return, the drow gave the Yarvandars cartloads of succulent mushrooms, glowing fungi of the Underdark prized by alchemists, and quantities of salt-sweet black drow wine to sell, splitting the profits).
 * The Dark Dancer, Ravens Bluff

In the northern High Forest, southeast of Everlund was a small clearing with a large flat-top gray rock about six feet tall and five feet in diamater. Pre-Time of Troubles the stone was known as Hastrin's Grayrock, named after an elven ranger who used the stone as a waypoint. After 1358 DR the top of the stone bore a single left footprint the size of a drow female's foot, and the stone and clearing became sacred places to Eilistraee and her followers.
 * Darkmaiden's Leap, The High Forest:

HISTORY: During the Time of Troubles, the absence of divine magic led the drow houses to most Lolth-dominated cities to battle each other, trying to seize the oppurtunity and gain ranks, leading to wars that forced many drow to flee their homes. A group of such drow, decimated by the perils of their travel away from home and exhausted, were driven to a particular tunnel by hostile creatures and lacking anywhere to escape, they followed it, untilthey eventually met a wall of vines, barring the entrance to a larger area. Cutting through the vines the drow found themselves amidst a forest, the view of the moonlight barred by the dense foliage, but music echoing. They decided to follow the sound, untile they found a single, old drow woman, dancing atop of Hastrin's Grayrock, the melody apparently coming out of the air itself. Beneath their eyes, as the woman danced, she began to grow younger, gaining the strength, agility and beauty of youth, and slowly a vision of another drow woman, beautiful and ever young, appeared above the rock, leaping, singing and shining with a great -but not blinding- light. The first woman continued her dance, and when she became as young as one who had just reached adulthood, she started to fade away, still dancing with joy. The shining woman then turned her attention to the drow, and they felt something that they had never before, something ancient, running deep inside their souls, back to a time where all dark elves were free from Lolth. They understood that they beheld a goddess, but one beautiful, strong and loving as Lolth could never be. Instinctively, they yearned for her and what she made them feel, and danced with her, coming to know about a different life. The Underdark drow told the goddess that they wanted to serve her, and Eilistraee transported them to a safe place near the Promenade. Those drow joined the worship of the Dark Dancer, and started working with Qilué Veladorn at the temple, returning to the stone, once per year, as a form of pilgrimage (and it was on their first return that they found a footprint on the rock). On one of those pilgrimages, they found a small group of wood elves surrounded by orc assailants. The drow aided the wood elves, saving many lives, and then managed to come to a truce (speaking in common). The wood elves didn't necessarily like the drow, but don't see them as a threat to eradicate; out of gratitude (and living nearby) the wood elves offered to guard the sacred place for the drow, with the latter using a given set of signal to identify themselves as followers of Eilistraee.

MAGICAL PROPERTIES: Darkmaiden's Leap was infused with the magic of Eilistraee. Lolth worshippers found it difficult to cast spells when in the area, while travelers that chose to attune with its power (by dancing in the moonlight for at least one hour) could be granted the capacity of low-light visions, to perform graceful and beautiful movements when dancing and to invoke a blade of moonlight. The stone also acted as a two-way portal to a small cavern near the Promenade, if activated through a moon beam spells, or as a portal to Eilistraee's realm in Arvandor, if activated through a moon path spell.

The shrine is a natural pillar of black rock about ten feet tall,carved with crescent moon-shapped holes that create the sound of several flutes playing when the wind blows. The hilt of a sword protrudes from the top of the rock. Hidden behind a nearby waterfall, is a cave that houses the shrine's followers.
 * Forest of Lethyr Shrine

In a section of the forest littered with broken chunks of stone is an ancient structure that consists of a dozen sharp sword-shaped columns of black obsidian set point-first into a circular platform of white stone; the column-sword's hilts flattened to support a weathered circular roof of white stone with a round moon-shaped hole at its center.
 * Forest of Shadows Shrine
 * Forest of Tethir Shrine
 * The Grey Forest Shrine
 * Lake Sember Shrine
 * The Misty Forest Shrine

Within the Moonwood north of Quaervarr, is treeless hill where followers of the Dark Maiden gather on moonlit nights. In a cave beneath the hill, is a small shrine to Eilistraee.
 * The Mouth of Song, The Moonwood: 

Located near Skullport, this was the main headquarters for the faithful of Eilistraee with many portals to other parts of the world but also access to tunnels into the Underdark for redemption missions. The Promenade was led by High Priestess Qilué Veladorn, youngest of the Seven Sisters and Chosen of Mystra. She led the priestesses while also giving out missions when something needed her attention. Second to her was the Promenade's Battlemistress, Rylla. She led both the fierce warrior/priestesses of the Darksong Knights (who had training in demon-hunting), and Protectors of the Song, the group of elite warriors, often armed with one of the twenty magical singing swords, whose first duty was to guard the Promenade.
 * The Promenade of the Dark Maiden

All priestesses at the Promenade were free to do as they liked unless given a mission by either Qilué or Rylla. Although the Darksong Knights had more independence they too were subject being given missions.

The shrine was located in a series of caves lining both sides of a steep-sided overgrown gully dominated by a grove of towering shadowtop trees. A group of at least fifty Eilistraeens, drow and other elves, dwelt in the Velarswood near Harrowdale, where they had a temple in the northern part of the wood. They often gathered in evensong in gratitude. They were creating a surface home there and generally had good relations with local humans, whom they aided when ill. Eilistraeen priestesses and moon-worshiping lycanthropes from the nearby Howling Hill join together in sacred hunts to Eilistraee and Selune when the moon is full.
 * The Shadowtop Glade, Velarswood 

After the evil drow of the The Twisted Tower were defeated by elves of Cormanthyr and Rystal Wood in -331 DR, the tower was left in the hands of their Eilistraeen dark elf allies. Within a century, the tower became one of Eilistraee's greatest temples in the Realms (also referred to as The Temple of the Dark Moon). The temple fell and was reclaimed by the drow beneath Cormanthyr in either 190 DR or 194 DR. . Any follower of the Dark Maiden who mentioned her name within the tower was enveloped in a swirl of moonfire, proving that her magic still imbued the place.
 * The Tower of the Dark Moon' , The Twisted Tower', Shadowdale 


 * The Yuirwood Shrine

A score of followers of Eilistraee in the High Forest, their camp is near the Dessarin, north of the Lost Peaks and less than a night's travel to Everlund. Formerly led by Ysolde Veldaron, then led by the drow Dolor after Ysolde's death in 1361 DR.
 * Wildwinds Coven, The High Forest: